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A key position in Flemish book art
Each page lavishly decorated with goldThe book, composed of 47 miniatures on 159 folios in the format of 124 x 92 mm, displays the abundant opulence of Burgundian bibliophily. The artist's delight in fantasy is evident throughout, even in the imaginative borders that are populated with countless drolleries, humans, and birds, all set between coloured acanthus leaves and tiny golden buds. Three portraits of the patron remind us of the very personal meaning the book had for Charles the Bold. The lavish decoration also remains a distinctive feature of the written pages. The fine calligraphy of the text is organised around more than 360 initials, mostly on chiselled golden grounds; each page of text is additionally decorated with an ornamental border. The Prayer Book of Charles the Bold thus reflects the magnificent opulence of Burgundy, page after page. Innovative centre of the artsDuring the lifetime of Lieven van Lathem and the Viennese Master of Mary of Burgundy, Flanders was, along with Paris Europe's most innovative centre of the arts. Both the rich bourgeoisie and powerful rulers demanded ever more lavishly painted manuscripts and new ideas of artistic expression. The enormous demand for bibliophile treasures spurred book illuminators to new peak performances, not the least because for the first time in the history of illumination a large part of the work was created for the free market, thus offering talented artists breathtaking career prospects. Lieven van Lathem – painter at the court of Emperor MaximilianThe illuminator Lieven van Lathem was active in the cultural area of Flanders, between Bruges and Ghent, Antwerp and Utrecht. Born around 1430, he first was a member of the painters' guild in Ghent, and later, until his death in 1490, of the St. Luke's guild in Antwerp. Due to his outstanding talent, he soon became painter to the court of Duke Philip the Good, the father of Charles the Bold. Later he was also called to the court of Emperor Maximilian I. By the end of the 15th century, the Flemish city of Antwerp ranked as the centre of landscape painting; but it was van Lathem with his atmospheric art who had paved the way for this development.The Viennese Master of Mary of Burgundy – anonymous but still famousOne name is inextricably associated with the painting school of Bruges and Ghent: that of the Viennese Master of Mary of Burgundy – famous for his forceful expressiveness when it came to bringing life to delicate faces or the movement of muscles on parchment. Although his identity remains unknown, a number of art historians assume him to be Alexander Bening, father of Simon Bening, the last grand Flemish master. He entered the artistic scene with The Prayer Book of Charles the Bold and the world of art immediately got a vivid impression of his unique talent. The elegantly sweeping script – a work of art in itselfCharles the Bold engaged Nicolas Spierinc, Burgundy's most famous calligrapher, to write his prayer book. Spierinc is not only the author of the wonderful handwriting, he also embellished many pages with so-called cadels, elaborate letters that were decorated with lines in writing ink. Some of the magnificent cadels were even painted in addition with glowing gold, a lustre that is perfectly rendered in the facsimile edition. The Fine Art Facsimile editionThe 318 pages of the Prayer Book of Charles the Bold are in the format of 124 x 92 mm and display the legendary wealth of Burgundian bibliophily. The strict limitation to only 980 hand-numbered copies makes the facsimile edition a very rare masterpiece of illumination. Just as in the original, the fresh colouring of the pallet and the fine distinction of partly chiselled gold leaf and brush-applied gold are rendered in the 47 miniatures and the borders. Glowing gold was also used for the more than 360 decorated initials and in each ornamental frame of the written pages. Elaborate cadels, some of them heightened with gold, give the calligraphy a noble touch. The faithful replica of the original bindingThe Fine Art Facsimile comes in a purple velvet binding, a faithful replica of the current original binding. It has two gilded clasps, four gilded metal corners on both front and back covers, and a decorative medallion. The bibliophile masterpiece is complete with gilt edges in a noble brush-applied, finely chiselled gold. The commentary volumeFor the reputed art historian Antoine de Schryver, the Prayer Book of Charles the Bold was a lifelong passion. The fruit of his profound research is presented in the extensive scholarly commentary which provides a lively introduction to the Burgundian period and the work itself.The Fine Art Facsimile edition comes in a case of acrylic glass to protect and enhance the value of the volume. A Documentation Kit containing 3 sample pages, in the original size, from the Prayer Book of Charles the Bold Fine Art Facsimile Volume, plus an illustrated, 14 page information brochure, is available for $US75. |
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