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Magical realism dates back to the 7th century. This becomes obvious when we read The Sheep, an historical chronicle which is also a witch's breviary, an anthology of picaresque tales, and a misogynistic diatribe written by an unenlightened shepherd in an unenlightened city in the Andes, called Santafé de Bogotá. Juan Rodríguez Freyle shows how it is possible to see the adulterous escapades of straying husbands in a crock of water, and how a priest who had committed murder saw the host turn to red in his hands at the moment of elevation. But the true magic of this book lies not in the wonders of mestizo culture, with its indigenous black and Spanish ancestors, but in the way in which the author uses a vibrant if anachronistic language to recreate a world which is in a continuous state of adventure, fusion and change. It was the search for El Dorado which spurred on the conquistadors, but this charming and witty shepherd, after many frustrated adventures, reached his promised land in the pages of a book which today, so many centuries later, is still yielding up its treasures, and seems full of new arid vigorous unforeseen surprises. | # |
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