# |
his manuscript of Dante's Divine
Comedy, known as the Dante Estense, has
established itself throughout the world as one of
the most important existing and classified
manuscripts of this great work. In fact, both
because of the period in which it was produced
(certainly the 14th century, and most probably
around 1380-90, which means it came out no more
than 60-70 years after Dante's death, thus
offering the sensation of being almost
contemporaneous with his great poem) and because
of the completeness of the entire text which makes
it an extremely important integral document
compared to the many fragments of the Divine
Comedy, it is one of the few existing
editions of this work offering philological
novelties. Other interesting features of this
codex are its aesthetic value, with the three
exquisite illuminations that decorate the
beginning of the three sections of the Divine
Comedy, the large illuminated initial letters
at the beginning of the poem, and the coloured
ones in all the Cantos, and above all the fact
that it is one of the very few existing codices
that is completely illuminated. This parchment
measures 35x25.5 cm and has 140 folios (280 pages)
written in Gothic characters on a central column
of 51-46 lines. Each page has illuminated scenes
in the upper margin that accompany and illustrate
the text. The initial pages of the three Cantos
have illuminated ornamentation in the margin; in
particular, the first two have, in the middle of
the lower margin, a large red stemma with a light
blue band that belonged to an unknown owner, while
the last page has the Christian monogram of the
Sun. Because of its great importance, this codex
was taken to Paris by Napoleon's commissars on 11
October 1796 and became part of the Bibliothèque
Nationale de France (whose seal, a c.1, it still
bears); after many interesting vicissitudes it was
restored and brought back to Modena in 1816 by the
head librarian of the Biblioteca Estense, Antonio
Lombardi, at the behest of the Duke of Modena.
This work, reproduced in authentic facsimile
reprint in seven colours plus gilding, is printed
in its actual size on Larius Matt Satin art paper
especially manufactured for the publishers by the
mill. It consists of two volumes in an all-leather
slipcase. The first volume contains the authentic
facsimile reprint of the 140 folios (280 pages) of
the original codex. Written in Gothic characters,
it is richly illustrated with watercolours on the
upper margin of each page that represent the
salient episodes of the Divine Comedy.
The second volume contains the printed
transcription of the original manuscript,
accompanied by the historical-critical comments of
Ernesto Milano, Director of the Biblioteca Estense
in Modena, the library where the original codex is
kept. The facsimile reprint is entirely bound in
calfskin, with gilt toolings on the boards and the
spine. The edition consists of only 500 numbered
copies.
- Leather slipcase with two
volumes hand-bound in calfskin, with gilt toolings on
the boards and the spine.
- Limited edition of only 500
copies.
- Size 35x25.5 cm
- Pages 280 (codex)
- Pages 232
(commentary).
| # |