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he Paris manuscript (known as Peresianus because of the name, Perez, written on it) is much damaged by the flaking of the plaster at the edges of each page. The graphic-style is crowded: two contrasting scales of large and small figures are surrounded by a mosaic of pebble-like glyph forms."
G. Kubler The Art and Architecture of Ancient America, p. 219, Harmondsworth 1975
"The facsimile is a reprint of the colour edition of Codex Paris by Léon de Rosny but bound as a screenfold. Accompanying pamphlet in German includes reproduction of the photographs of the 1864 edition, colour photographs of two pages of the original, and English summary."
J. B. Glass, Annotated references in: Handbook of Middle American Indians vol. 15, p. 545, Austin 1975
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