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his is a miscellany of
medieval astrological treatises, reviewed in the humanistic age by
an anonymous scholar. The purchaser and the artist who decorated the
manuscript with delicate watercolours also remain unknown. The text,
written in rounded Gothic calligraphy, starts with astrological
considerations about days and seasons, then displays horoscopes for
the twelve zodiacal signs, outlining characters and events occurring
to men and women and anticipating their life expectancy. The codex
turns out to be a real encyclopedia of the coeval astrological
knowledge, so much cross-disciplinary and tightly linked to nearly
all other fields of science, culture and life: this is why the text
includes charts for medical applications of astrological
calculations, interpretations of the biblical dreams of prophet
Daniel, and other medical astrology essays that can be ascribed to
Pietro d'Abano, teaching at the Padua University in the early 14th
century. This paternity, the style of the illustrations recalling
both Pisanello and Paduan astrological-type frescoes, and moreover
other historical and cultural clues, enable to assume that this
codex was manufactured between Padua and Ferrara, perhaps on behalf
of marquis Leonello d'Este. Our facsimile edition also reproduces in
accordance with the original its two "astrolabes", rotating dials
provided with moving pointers that enable to stage the same
calculations made at the time of the "Liber" by practitioners of
zodiacal and medical-psychological medicine.
North-eastern
Italy, 1440 ca., in Latin, II+35+II folios = 70 pages, cm 21x29,
bound in leather; boxed; printrun: 999 copies. Commentary volume in
Italian, with unabridged transcription and translation, and essays
by P. Di Pietro, L. Ventu
A Documentation Kit containing 2 sample pages, in the original size, from the Liber Physiognomiae Fine Art Facsimile Volume, plus an illustrated, 12 page information brochure, is available for $US75.
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