|
![]() |
![[Logo]](austlogo.gif)
![[Picture]](wolken.jpg)
# |
The poetic texts and musical scores are preceded by a detailed and technical history and description of the manuscript by the editor, Francesco Delbono, who has performed his task with truely `Teutonic´ thoroughness, scrutinizing the folios painstakingly and noting every peculiarity of the protective cover, binding, format, parchment, ink, initials, script, catalogue numbers, marginal notes, etc. From these and other bits of evidence he has been able to adduce an acceptable history of Ms. A. ... Now that Ms. B is no longer considered merely a corrected and expanded copy of Ms. A, but a compilation of the same separate texts, it is evident that any further textual study must take Ms. A. into account; and therefore the ardent confraternity of Oswaldianers should welcome this handsome addition to the Codices Selecti, as should all students of late-medieval music."
George Fenwick Jones, University of Maryland |
# |
# |
![[Line]](rule1.gif)
![]() | ![]() |
![]() |
|